{"title":"Cinema","description":"","products":[{"product_id":"frank-films-the-film-and-video-work-of-robert-frank-edited-by-brigitta-burger-utzer-andstephan-grissemann","title":"FRANK FILMS: THE FILM AND VIDEO WORK OF ROBERT FRANK edited by Brigitta Burger-Utzer and Stephan Grissemann","description":"\u003cp\u003eScalo, 2003 First Edition. Unpaginated, 9 1\/2\" X 7 1\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eVery Good +\u003c\/p\u003e\n\u003cp\u003eThis book offers a visually unique approach to Frank’s films: only new stills taken from videotapes have been used and they add up to a visual essay on Frank’s cinema that establishes an engaging dialogue with his photographic work. Each film is introduced with detailed analysis, discussing the history and the aesthetics of Frank’s film work. An interview with Allen Ginsberg provides an insider view. 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The sheer number of false rumors and downright lies disseminated about the man and his films is truly astonishing. Yet Herzog's body of work is one of the most important in postwar European cinema.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHis international breakthrough came in 1973 with \u003c\/span\u003e\u003ci\u003eAguirre, the Wrath of God\u003c\/i\u003e\u003cspan\u003e, in which Klaus Kinski played a crazed Conquistador. For\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eThe Enigma of Kaspar Hauser\u003c\/i\u003e\u003cspan\u003e, Herzog cast in the lead a man who had spent most of his life institutionalized, and two years later he hypnotized his entire cast to make \u003c\/span\u003e\u003ci\u003eHeart of Glass\u003c\/i\u003e\u003cspan\u003e. He rushed to an explosive volcanic Caribbean island to film \u003c\/span\u003e\u003ci\u003eLa Soufrière\u003c\/i\u003e\u003cspan\u003e, paid homage to F. W. 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His network of collaborators and associates largely coincides with his circle of friends: many of his works from the 1980s and 1990s are portraits of fellow protagonists of the New York underground scene and the contemporary milieu, employing a sub- and pop-cultural idiom to scrutinize aspects of bio-power and the politics of bodies and identity. 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Told in Mekas’ warm prose style and illustrated with rare personal materials, this is a revealing visual autobiography of a genuine culture hero.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41452226871491,"sku":"","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2531.jpg?v=1643488888"},{"product_id":"pasolini-on-pasolini-interviews-by-oswald-stack-by-oswald-stack","title":"PASOLINI ON PASOLINI: INTERVIEWS BY OSWALD STACK by Oswald Stack","description":"\u003cp\u003eIndiana University Press, 1970 First US edition, 175 pp., 5 1\/4\" X 7 1\/2\" Softcover\u003c\/p\u003e\n\u003cp\u003eVery good\u003c\/p\u003e\n\u003cp\u003eNumber 11 in the classic \u003cem\u003eCinema One\u003c\/em\u003e series. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"These interviews were conducted in Rome over a period of two weeks in 1968. The original Italian has been edited in the translation. Pier Paolo Pasolini, who does not speak English, consented to the interviews being published in translation without himself checking the final version as printed here.\" As usual with this excellent series, there is a concise but informative filmography of the director \u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41534852169923,"sku":"","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2940.jpg?v=1645295448"},{"product_id":"the-adventures-of-antoine-doinel-4-autobiographical-screenplays-by-francois-truffaut","title":"THE ADVENTURES OF ANTOINE DOINEL: 4 AUTOBIOGRAPHICAL SCREENPLAYS by Francois Truffaut","description":"\u003cp\u003eSimon and Schuster, 1971 First US edition, 320 pp., 6\" X 9 1\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eVery good\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eFrom the film director behind his creation, \u003cem\u003eThe Adventures of Antoine Doinel\u003c\/em\u003e gives readers an exclusive look at the adventures of Antoine Doinel through the screenplays and stills of the four films he appears in.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThought by many to be the fictional alter ego of Francois Truffaut, Antoine Doinel, played in all movies by Jean-Pierre Leaud, was a fictional character created by Truffaut that depicted many of his own memories ranging from childhood through divorce.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003eThe Adventures of Antoine Doinel\u003c\/em\u003e is an enchanting look at the character of Antoine through screenplays and stills from four of Truffaut’s most well-known films: \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe 400 Blows, Love at Twenty, Stolen Kisses,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eand \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBed and Board.\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41534858461379,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2951.jpg?v=1645296283"},{"product_id":"film-culture-no-33-summer-1964","title":"FILM CULTURE NO. 33 SUMMER 1964","description":"\u003cp\u003eFilm Culture, 1964 First edition, 91 pp., 8 1\/4\" X 10 1\/2\" Softcover\u003c\/p\u003e\n\u003cp\u003eVery good \u003c\/p\u003e\n\u003cp\u003eContains the first appearance of the experimental poem \u003cem\u003eLens\u003c\/em\u003e by Frank Kuenstler\u003c\/p\u003e\n\u003cp\u003eAlso contains articles by Andrew Sarris, Harry Fainlight, Storm De Hirsch, George Kuchar, Robert K. 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Softcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFine (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eStill in publishers shrinkwrap)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e“Imagine an eye unruled by man-made laws of perspective … an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of ‘Green?’” So begins Stan Brakhage’s (1933–2003) classic \u003ci\u003eMetaphors on Vision\u003c\/i\u003e. Originally published in 1963 by Jonas Mekas as a special issue of \u003ci\u003eFilm Culture\u003c\/i\u003e, and designed by George Maciunas, it stands as the major theoretical statement by one of avant-garde cinema’s most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as his art. \u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41661291888835,"sku":"","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3848.jpg?v=1648777589"},{"product_id":"telling-time-essays-of-a-visionary-filmmaker-by-stan-brakhage","title":"TELLING TIME: ESSAYS OF A VISIONARY FILMMAKER by Stan Brakhage","description":"\u003cp\u003eDocumentext, 2003 First edition, 144 pp., 5 1\/2\" X 8 3\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThroughout a career spanning half a century, Stan Brakhage, the foremost experimental filmmaker in America, and perhaps the world, wrote controversial essays on the art of film and its intersections with poetry, music, dance, and painting. Published in small circulation literary and arts journals, they were gathered later into such books as Metaphors on Vision and Film at Wit's End. Beginning in 1989, and for a decade thereafter, Brakhage wrote the essays in Telling Time as an occasional column for Musicworks, a Toronto quarterly. Ostensibly about the relation of film to music, they soon enlarged to explore primary concerns beyond film, including Brakhage's aesthetic theories based on the phenomenology of human cognition. In these essays he is as brilliant discussing Gertrude Stein or romantic love as he is on child psychology, astronomy, and physiology, all the while teasing out vital correspondences between the arts, and upending conventional ideas of how we perceive. His investigations of other artists are models of sympathetic intuition and generosity. Above all, he shares his theories, discoveries and understandings in the spirit of establishing a groundwork for many varieties of human liberation. His prose is filled with flashes of insight, elaborated metaphors, playful elisions, shorthand puns and neologisms, personal digressions, surprising epiphanies, leaps of faith, affronts to authority. He appeals to the imagination, and invites us to a more profound and personal experience of art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41758447796419,"sku":"","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_4467.jpg?v=1651524100"},{"product_id":"politics-art-and-commitment-in-the-east-european-cinema-edited-by-david-w-paul","title":"POLITICS, ART AND COMMITMENT IN THE EAST EUROPEAN CINEMA edited by David W. 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Remarks by the artists were taped, transcribed and published as Cinema Now, no. 1. This is quite likely the only issue published.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":42088883028163,"sku":"","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5741.jpg?v=1661964277"},{"product_id":"experimental-cinema-a-fifty-year-evolution-by-david-curtis","title":"EXPERIMENTAL CINEMA: A FIFTY YEAR EVOLUTION by David Curtis","description":"\u003cp\u003eUniverse Books, 1971 First edition, 168 pp., 6\" X 10\", Hardcover\u003c\/p\u003e\n\u003cp\u003eVery good\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA study of the history of experimental cinema, David Curtis traces early cinematic experiments up to Stan Brakhage and other contemporary experimental filmmakers. Curtis also examines a variety of revered filmmakers, like Jean Cocteau, Kenneth Anger, and Luis Buñuel. Includes a number of b\u0026amp;w photographs.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":42147624091843,"sku":"","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_59972.jpg?v=1664801868"},{"product_id":"the-architecture-of-reassurance-by-mike-mills","title":"THE ARCHITECTURE OF REASSURANCE by Mike Mills","description":"\u003cp\u003eAlleged Press, 1999, First edition, Unpaginated, 4 1\/4\" X 7\", Softcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA book to accompany Mike Mills’ first short film, The Architecture of Reassurance, which tells the story of a young girl who is dissatisfied with life at home, and decides to travel through other residences in her suburban neighborhood. It is a voyeuristic look at the utopian concept of suburban America. The 1999 short featured Kelly Garner, Bob Stephenson and Sarah Hagan (before Buffy and Freaks and Geeks). The Architecture of Reassurance played in the 1999 Sundance Film Festival, Edinburgh International Film Festival, Oberhausen short film festival, and The New York Museum of Modern Art’s New Directors New Films. Still photographs in the book are by Susanna Howe.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":43933170041118,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_6424.jpg?v=1668195948"},{"product_id":"wim-wenders-places-strange-and-quiet","title":"WIM WENDERS: PLACES, STRANGE AND QUIET","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHatje Cantz, 2013, Expanded new edition, 140pp., 6 3\/4\" X 8\", Hardcover with bellyband\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eWim Wenders (born 1945) started taking photographs at the age of 7. By the age of 12 he had equipped himself with his own darkroom, and by 17 he had acquired his first Leica. A few years later he was to emerge as a leading light in the New German Cinema movement of the late 1960s, making his feature-length directorial debut with \u003cspan class=\"a-text-italic\"\u003eSummer in the City\u003c\/span\u003e (1970). Throughout his subsequent global acclaim as a director, Wenders has doggedly maintained his life as a photographer. In fact, the two careers have served each other well, as many of his photographs are created while location-scouting for films. His image repertoire of neglected industrial buildings, vacant lots, cemeteries, dilapidated urban niches and courtyards expresses a mixture of bemusement, melancholy and dislocation. “When you travel a lot, and when you love to just wander around and get lost, you can end up in the strangest spots,” Wenders says. “It must be some sort of built-in radar that often directs me to places that are strangely quiet, or quietly strange.” These strange and quiet color photographs are accompanied by poetic captions, some of which elucidate what is depicted while others lightly supplement with an anecdote. This new edition of \u003cspan class=\"a-text-italic\"\u003ePlaces, Strange and Quiet \u003c\/span\u003efeatures seven new photographs taken in Germany and Fukushima as well as an essay by Wenders on analogue and digital photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":44173292110110,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_6762.jpg?v=1671073909"},{"product_id":"waiting-on-the-weather-making-movies-with-akira-kurosawa-by-teruyo-nogami-signed-by-nogami","title":"WAITING ON THE WEATHER: MAKING MOVIES WITH AKIRA KUROSAWA by Teruyo Nogami (SIGNED BY NOGAMI)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStone Bridge Press, 2006, First edition, 296 pp., 5 3\/4\" X 7 3\/4\", Hardcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFine (SIGNED by Nogami)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"a-text-bold\"\u003eTeruyo Nogami\u003c\/span\u003e was a relative newcomer to film production when hired as a continuity\/script assistant on \u003cspan class=\"a-text-bold\"\u003eAkira Kurosawa\u003c\/span\u003e’s \u003cspan class=\"a-text-italic\"\u003eRashomon.\u003c\/span\u003e A witness to its filming—and its near destruction in a fire—over the next fifty years she worked on all the master’s films—\u003cspan class=\"a-text-italic\"\u003eIkiru, Seven Samurai, Kagemusha,\u003c\/span\u003e and \u003cspan class=\"a-text-italic\"\u003eDreams.\u003c\/span\u003e No one was more closely involved in Kurosawa’s productions, and in this memoir, charmingly illustrated with her own sketches, Nogami writes candidly about the director’s energy, creativity, and his famous rages, telling the inside story on how so many classics of world cinema were made.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":44349464871198,"sku":"","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_7156.jpg?v=1674136115"},{"product_id":"the-michael-snow-project-visual-art-1951-1993-presence-and-absence-the-films-of-michael-snow-1956-1991-and-music-sound-1948-1993-3-volumes","title":"The Michael Snow Project: Visual Art: 1951-1993, Presence and Absence: The Films of Michael Snow 1956-1991 and Music\/Sound 1948-1993 (3 volumes)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArt Gallery of Ontario \/ The Power Plant, 1995, All three volumes first editions, All three volumes measure 6 1\/2\" X 9 1\/2\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished in conjunction with the exhibition, \u003cem\u003eThe Michael Snow Project\u003c\/em\u003e these books document the work of Snow's astonishing career as a visual artist, filmmaker and sound artist. With contributions by Canada's leading art critics, these lavishly illustrated books cover all aspects of Snow's extraordinary diverse artistic expression and is the first comprehensive and accessible look at one of Canada's most important and internationally recognized artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHighly recommended.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":48206445347102,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_0936.jpg?v=1712760768"},{"product_id":"legible-visible-between-the-film-frame-and-the-page-by-mela-davilla-freire-and-maite-munos-iglesias","title":"LEGIBLE-VISIBLE: BETWEEN THE FILM FRAME AND THE PAGE by Mela Dávilla Freire and Maite Muños Iglesias","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTenov Books, 2018, First edition, 124 pp. 7\" X 9 1\/2\", Softcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"a-text-italic\"\u003eLegible-Visible\u003c\/span\u003e explores the relationship between print publications and audio-visual documents, two of the most important media in the social and cultural landscape of our time—and two forms that also define the evolution of contemporary art in the twentieth and twenty-first centuries.\u003cbr\u003e \u003cbr\u003eMela Dávila and Maite Muñoz here show how the arrival of inexpensive home video technologies in the 1970s and then of digital media at the turn of the millennium sparked revolutions in the creation and diffusion of both video artworks and artists’ publications. Dávila proposes a theoretical and historical framework for works long dismissed by the market because of their serial nature, while Muñoz shows how artists have taken advantage of the permeability between publications and audovisual elements. The first book-length work to study artists’ publications and video in relation to each other, \u003cspan class=\"a-text-italic\"\u003eLegible-Visible\u003c\/span\u003e will enable new ways of thinking about a number of contemporary artists and their work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":49192541651230,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_2075.jpg?v=1727097766"},{"product_id":"film-design-the-art-of-the-movie-poster-edited-by-gary-d-rhodes-and-robert-singer","title":"FILM DESIGN: THE ART OF THE MOVIE POSTER edited by Gary D. 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Crucially, this anthology rejects the notion of movie posters as mere historical artifacts or advertising tools and instead examines them as integral parts of a broader aesthetic framework interwoven into their respective film narratives. Through its intervention in film studies, \u003c\/span\u003e\u003ci\u003eFilm b\u003c\/i\u003e\u003ci\u003ey Design\u003c\/i\u003e\u003cspan\u003e reveals the movie poster to be an ever-evolving medium, firmly grounded in both theory and practice, while serving as an essential and enduring element within the realm of film art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":49690387251486,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_4811.jpg?v=1743025507"},{"product_id":"blow-up-antonionis-classic-film-and-photography-edited-by-klaus-albrecht-schroder-and-walter-moser","title":"BLOW-UP: ANTONIONI'S CLASSIC FILM AND PHOTOGRAPHY, edited by Klaus Albrecht Schröder and Walter Moser","description":"\u003cp\u003eHatje Cantz, 2014, First edition. 277 pp., 9 1\/4\" X 11 1\/2\", Softcover\u003c\/p\u003e\n\u003cp\u003eNear fine +\u003c\/p\u003e\n\u003cp\u003eThis publication examines \"Blow Up\" from a photographic perspective, investigating in detail the photographic and art historical stances presented in the film as well as the genres it represents. The stylistic devices discussed range from social reportage, fashion photography and pop art to abstract photography - and how, incidentally, Antonioni discovers soft focus as an artistic device.\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":49731397812510,"sku":"","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_5128.jpg?v=1744396020"},{"product_id":"laure-prouvost-deep-see-blue-surrounding-you-vois-ce-bleu-profond-te-fondre","title":"LAURE PROUVOST: DEEP SEE BLUE SURROUNDING YOU \/ VOIS CE BLEU PROFOND TE FONDRE","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInstitut Français \u0026amp; Flammarion, 2019, First edition, 272 pp., 8 1\/2\" X 11 1\/4\", Softcover with dust jacket\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLaure Prouvost: \u003c\/em\u003e\u003ci\u003eDeep See Blue Surrounding You \/ Vois Ce Bleu Profond Te Fondre\u003c\/i\u003e at the French Pavilion at the Venice Biennale,\u003cb\u003e \u003c\/b\u003eMay 11–November 24, 2019 and\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003etaking the form of an atlas exploring and deepening Laure Prouvost’s artistic practice.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe cornerstone of \u003c\/span\u003e\u003cem\u003eDeep See Blue Surrounding You\u003c\/em\u003e\u003cspan\u003e \/ \u003c\/span\u003e\u003cem\u003eVois Ce Bleu Profond Te Fondre\u003c\/em\u003e\u003cspan\u003e is a fictional film. It takes the form of an initiatory journey filmed over the course of a road trip on horseback through France—from the Parisian suburbs to the northern region, from the Palais Idéal du Facteur Cheval to the Mediterranean Sea—and, finally, to Venice. A sculptural installation, taking as a metaphorical point the trajectory of the octopus goes beyond the film, transcending out of the realms of the Pavilion and beyond. It uses typical processes of the artist’s practice such as leftover objects from the film, resin, clay, glass, plants or water vapor, and features performances interacting with the architecture and the objects. \u003c\/span\u003e\u003cem\u003eLâchons les chevaux Et avec vous on tombera des nues\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWriters include: Ahu Antmen, Andrew Berardini, Yang Beichen, Massimiliano Gioni, Martha Kirszenbaum, Dean Kissick, Annabelle Ténèze.\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":49749496365342,"sku":"","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_5321.jpg?v=1745185821"},{"product_id":"stan-brakhage-literal-motion-an-interview-by-christopher-luna","title":"STAN BRAKHAGE: LITERAL MOTION: AN INTERVIEW BY CHRISTOPHER LUNA","description":"\u003cp\u003eBootstrap Press, 2001, First edition of 250 copies, 42 pp., 5 1\/2\" X 8 1\/2\", Staples wraps with dust jacket\u003c\/p\u003e\n\u003cp\u003enear fine + (a touch of handling)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis publication was limited to a super low print run of 250 copies and contains the transcripts of three conversations between Brakhage and Luna that took place over the course of a few months in 1998 in preparation for Luna's thesis for the M.F.A. Writing and Poetics program at the Jack Kerouac School of Disembodied Poetics. \u003c\/p\u003e\n\u003cp\u003eIncredibly scarce\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":49767151632670,"sku":"","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_5551.jpg?v=1745846063"},{"product_id":"pigxtras-by-harmony-korine-the-harmony-korine-purple-book","title":"PIGXTRAS by Harmony Korine (The Harmony Korine Purple Book)","description":"\u003cp\u003ePurple Institute, 2008, First edition of 1000 copies, 88 pp., 8 3\/4\" X 11 1\/2\", stapled wraps\u003c\/p\u003e\n\u003cp\u003eVery good+\u003c\/p\u003e\n\u003cp class=\"a-spacing-none a-text-normal\"\u003e\u003cspan id=\"productTitle\" class=\"a-size-extra-large\"\u003eA special edition for Purple Fashion Magazine No. 10. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"a-spacing-none a-text-normal\"\u003e\u003cspan id=\"productTitle\" class=\"a-size-extra-large\"\u003e\u003cspan\u003eHarmony Korine gives us insight into the inner workings of his film with a collection of black and white stills. As with all Korine publications this is rare and beautiful and full of life.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":49774971388190,"sku":"","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_5587.jpg?v=1746107657"},{"product_id":"pasolini-on-pasolini-interviews-by-oswald-stack","title":"PASOLINI ON PASOLINI: INTERVIEWS BY OSWALD STACK","description":"\u003cdiv class=\"text-center\"\u003e\n\u003cdiv class=\"product-description rte\"\u003e\n\u003cp\u003eIndiana University Press, 1970, First US edition, 175 pp., 5 1\/4\" X 7 1\/2\" Hardcover\u003c\/p\u003e\n\u003cp\u003eVery good\u003c\/p\u003e\n\u003cp\u003eNumber 11 in the classic \u003cem\u003eCinema One\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eseries. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"These interviews were conducted in Rome over a period of two weeks in 1968. The original Italian has been edited in the translation. Pier Paolo Pasolini, who does not speak English, consented to the interviews being published in translation without himself checking the final version as printed here.\" As usual with this excellent series, there is a concise but informative filmography of the director \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__form\"\u003e\n\u003cdiv class=\"product-form-product product-form\" data-section=\"product\" id=\"AddToCartForm-product\"\u003e\u003cform enctype=\"multipart\/form-data\" class=\"shopify-product-form\" id=\"product_form_7161162301635\" action=\"https:\/\/familiartrees.com\/cart\/add\" method=\"post\"\u003e\u003c\/form\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":49837282394398,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_59012.jpg?v=1748542333"},{"product_id":"perspectives-on-akira-kurosawa-edited-by-james-goodwin","title":"PERSPECTIVES ON AKIRA KUROSAWA, edited by James Goodwin","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eG. K. Hall \u0026amp; Co., 1994, First edition, 285 pp., 6 1\/2\" X 9 3\/4\", Hardcover w\/o dust jacket as issued\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good+ (remainder mark to bottom of text block)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eA collection of essays, interviews and other writings about Kurosawa. Includes texts by \u003cstrong\u003e\u003c\/strong\u003eToshirō Mifune, Satyajit Ray, Andrei Tarkovsky, Steven Spielberg, \u003cmeta charset=\"utf-8\"\u003eStephen Prince, Donald Richie, Audie Bock, Tadao Sato, Joan Mellen, David Desser, Keiko McDonald, Noël Burch, et al.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":49990845497630,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_6988.jpg?v=1753707801"},{"product_id":"katsuke-once-by-wim-wenders-1","title":"KATSUKE (ONCE) by Wim Wenders","description":"\u003cdiv class=\"product-description rte\"\u003e\n\u003cp\u003e\u003cspan\u003eParco,\u003c\/span\u003e\u003cspan\u003e 1994, First Japanese edition, 205 pp., Softcover in slipcase\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNear fine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWim Wenders ranks among the greatest artistic minds of contemporary film: over the past 30 years his films have consistently demonstrated such clarity and sensitivity that they have transcended boundaries of language and nationality, finding a devoted audience worldwide. Wenders brings to this collection of photographic essays the same literary and cinematic talents, the same command of the art of storytelling that we find in his films. In the tradition of Paris, Texas and Faraway, So Close, the texts and pictures in Once weave ambiguous and moving narratives in fits of rhythmic prose and inventive imagery. Prefaced by Wenders' poetic meditations on the metaphysics of photography and film, Once consists of short, autobiographical sketches relating Wenders' experiences--both meaningful and apparently trivial--on his trips across the world scouting locations for his films, as well as photographs taken during these excursions. The resulting book is at once travel diary, photo album, and a series of short films or short stories--revealing the views and sentiments of an auteur inspired by the poetry of the eye and the melody of speech. Fascinating and revelatory, Once gives us a unique look at the universe Wenders has created out of the hidden pieces of everyday life\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":50423187472670,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_6716_7cdf68f6-d499-471d-903a-a528adf20f7e.jpg?v=1767060905"},{"product_id":"memento-by-andrew-kania","title":"MEMENTO by Andrew Kania","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRoutledge, 2009 First softcover edition, 208 pp., 5 1\/2\" X 8 1\/2\", Softcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe film \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eMemento\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e has been hailed as a modern classic. Memorably narrated in reverse, from the perspective of Leonard Shelby, the film’s central character, it follows Leonard’s chaotic and visceral quest to discover the identity of his wife’s killer and avenge her murder, despite his inability to form new long-term memories.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKania explores the myriad philosophical questions raised by the film, concerning personal identity, free will, memory, knowledge, and action. It also addresses problems in aesthetics raised through the film's narrative structure, ontology, and genre. \u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":50662251364638,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_8596.jpg?v=1772288014"},{"product_id":"set-pictures-behind-the-scenes-with-sofia-coppola-by-andrew-durham","title":"SET PICTURES: BEHIND THE SCENES WITH SOFIA COPPOLA, by Andrew Durham","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDU BOOKS, 2018, First edition, 95 pp., 6 3\/4\" X 9\", Hardcover with Obi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs new (still in publisher's shrink wrap)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDurham created this behind the scene look book to celebrate the 20th anniversary Sophia Coppola's directorial debut, \u003cem\u003eThe Virgin Suicides\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe edition of 2000 copies was available exclusively to Japanese fans.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":50713705873694,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_87312.jpg?v=1773590933"},{"product_id":"jack-smith-historical-treasures-edited-by-ira-cohen","title":"JACK SMITH: HISTORICAL TREASURES, edited by Ira Cohen","description":"\u003cdiv itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eHanuman Books, 1990, First edition, 2 3\/4\" X 4 1\/8\", Softcover with dust jacket\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv itemprop=\"description\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv itemprop=\"description\"\u003e\u003cspan\u003eVery good\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv itemprop=\"description\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"descript\" itemprop=\"description\"\u003eCould art ever be useful? -- Lobotomy in lobsterland -- The perfect filmic appositeness of Maria Montez -- Remarks on art \u0026amp; the theater.\u003c\/div\u003e\n\u003cdiv itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eHanuman books were edited and published by Raymond Foye and Francisco Clemente and featured writings by various countercultural figures in the arts. The highly saturated colors and gold printing of the books’ covers and their pocket-size format were inspired by Indian prayer books and by the tradition of Asian miniatures.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":50735282454814,"sku":null,"price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_8808.jpg?v=1774395980"},{"product_id":"the-films-of-yvonne-rainer-by-yvonne-rainer-et-al","title":"THE FILMS OF YVONNE RAINER, by Yvonne Rainer, et al.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIndiana University Press, 1989, First softcover edition, 226 pp., 6\" X 9 1\/2\", Softcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe scripts of Rainer's five films, presented here along with essays, an interview, and bibliography, demonstrate the evolution of her political consciousness as well as her creative engagement with the contemporary film and cultural scene. These texts challenge the illusionist and ideological presumptions of mainstream culture and cinema.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":51860161757470,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_9100.jpg?v=1779057147"},{"product_id":"film-as-film-the-collected-writings-of-gregory-j-markopoulos-edited-by-mark-weber-with-a-forward-by-p-adams-sitney","title":"FILM AS FILM: THE COLLECTED WRITINGS OF GREGORY J. MARKOPOULOS, edited by Mark Weber, with a forward by P. Adams Sitney","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Visible Press, 2014, First edition, 560 pp., 5 1\/4 X 8 1\/2\", Hardcover issued without dustjacket\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs new (still in publisher's shrink wrap)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eContains some ninety out-of-print or previously unavailable articles by the Greek-American filmmaker who, as a contemporary of Kenneth Anger, Stan Brakhage and Andy Warhol, was at the forefront of a movement that established a truly independent form of cinema. Beginning with his early writings on the American avant-garde and auteurs such as Dreyer, Bresson and Mizoguchi, it also features numerous essays on Markopoulos’ own practice, and on films by Robert Beavers, that were circulated only in journals, self-published editions or programme notes. The texts become increasingly metaphysical and poetic as the filmmaker pursued his ideal of Temenos, an archive and screening space to be located at a remote site in the Peloponnese where his epic final work could be viewed in harmony with the Greek landscape. Gregory J. Markopoulos (1928-1992) is a unique figure in film history, whose life’s work stands in testament to his strength of vision and commitment to the medium.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":51930146767134,"sku":null,"price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/files\/IMG_9312.jpg?v=1780770757"},{"product_id":"pictures-from-the-surface-of-the-earth-by-wim-wenders-1","title":"PICTURES FROM THE SURFACE OF THE EARTH, by Wim Wenders","description":"\u003cdiv class=\"text-center\"\u003e\n\u003cdiv class=\"product-description rte\"\u003e\n\u003cp\u003e\u003cspan\u003eSchirmer Mosel, 2006, First edition, 136 pp., 8 1\/4\" X 8 1\/2\", Softcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWenders’ photographs are pictures of a world almost devoid of humans, a natural or man-made world viewed from a distance. 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