{"title":"Art","description":"","products":[{"product_id":"more-than-meat-joy-by-carolee-schneemann","title":"MORE THAN MEAT JOY by Carolee Schneemann (Inscribed)","description":"\u003cp\u003eDocumentext, 1979, First edition. 281 pp., 9\" X 11\" (approx.)\u003c\/p\u003e\n\u003cp\u003eVery Good (Inscribed)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis remarkable record includes \"From the Notebooks 1958–1963\"; \"From the Notebooks 1963–1966\"; \"From the Notebooks 1966–1969\"; and \"From the Notebooks 1969–1977.\" It includes well-illustrated accounts of 38 complex performances, including \"Chromelodeon,\" \"Meat joy,\" \"Water light \/ water needle,\" \"Snows,\" \"Illinois Central,\" and \"Interior scroll\"; plus an appendix containing unperformed works; a Festschrift with contributions by Robert Kelly, Paul Blackburn, Dick Higgins, Eleanor Antin, Daryl Chin, Carl André, Philip Corner, Anina Nosei Weber, Rochelle Owens, Martie Edelheit, Carole Bergé, Lee Breuer, Larry Warshaw, Jonas Mekas, John Cage, Malcolm Goldstein, Amos Vogel, Pierre Restany, Jon Hendricks, Alison Knowles, Lucy R. Lippard, and Jerome Rothenberg. A performance chronology, filmography, bibliography, and index. In remarkably good condition. 1\" closed tear to front panel of dust jacket, otherwise clean, square and crisp with only the tiniest touch of handling.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":37264268492995,"sku":"","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5243.jpg?v=1604092122"},{"product_id":"the-drawings-of-hans-bellmer-edited-by-axel-grall","title":"Tarkovski","description":"\u003cp\u003eAcademy Editions, 1972, First edition. 109 pp., 9 1\/2\" X 12 1\/2\"\u003c\/p\u003e\n\u003cp\u003eVery Good+\u003c\/p\u003e\n\u003cp\u003eBellmer's graphic work is a constant refutal to the false differentiation between form and content which habitually governs our perception of the human body. The shock we experience from his drawings stems from his ability to make us see the unperceived affinities which link mind and body. Precisely and delicately he dissects and reassembles, in visual anagrams , the scattered components that constitute the whole man and woman. A touch of handling, else clean, crisp and square.\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":37264316596419,"sku":"","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5261.jpg?v=1604093754"},{"product_id":"kurt-schwitters-color-and-collage-by-isabel-schulz","title":"KURT SCHWITTERS COLOR AND COLLAGE by Isabel Schulz","description":"\u003cp\u003eMenil \/ Yale, 2010, First Edition. 176 pp., 10 1\/2\" X 12\"\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBest known for his extraordinary abstract collages, German artist Kurt Schwitters (1887–1948) is one of the most influential figures of the international avant-garde. Emphasizing the significance of color and light in the artist’s work and delving into the relationship between collage and painting, this handsome volume accompanies the Menil Collection's major 2011 retrospective of his work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":37338767982787,"sku":"","price":165.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5251.jpg?v=1604174328"},{"product_id":"joseph-beuys-block-beuys-by-eva-wenzel","title":"JOSEPH BEUYS BLOCK BEUYS by Eva Wenzel","description":"\u003cp\u003eSchirmer \/ Mosel, 1990, First edition. 410 pp., 9 1\/2\" X 11 1\/2\"\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExhibition catalogue published in conjunction with show held at Hessischen Landesmuseum Darmstadt, Darmstadt, Germany. Texts by Eva, Wenzel and Jessyka Beuys and Diether Rudloff. Includes 335 reproductions, of which 144 are in color. Text in German.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":37450749018307,"sku":"","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5269.jpg?v=1604688815"},{"product_id":"womens-work-textile-art-from-the-bauhaus-by-sigrid-wortmann-weltge","title":"WOMEN'S WORK: TEXTILE ART FROM THE BAUHAUS by Sigrid Wortmann Weltge","description":"\u003cp\u003eChronicle Books1993, First edition. 208 pp., 9\" X 11 1\/2\" \u003c\/p\u003e\n\u003cp\u003eVery good \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn this model study, superlatively documented with rare or little-seen photographs of the textiles and their makers, Sigrid Wortmann Weltge captures the heady atmosphere of creative excitement at the Bauhaus. Original archival research and interviews, both with survivors and their students and with leading contemporary designers, detail the workshop's history and its enduring legacy. When the Nazis closed the institution in 1933, its members dispersed to Switzerland, Holland, England, France, Russia, Mexico, and throughout the United States; their ideals and influence live on in marvelous fabrics still being produced today. Fine but for a nick to front right corner dj and small stain affecting top right front of dj as well as inside flap.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":37519177973955,"sku":"","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5339.jpg?v=1604943433"},{"product_id":"glenn-ligon-some-changes","title":"GLENN LIGON: SOME CHANGES","description":"\u003cp\u003eThe Power Plant, 2005, First edition. 198 pp., 8 1\/2\" X 11\" (approx.)\u003c\/p\u003e\n\u003cp\u003eVery good +\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis illustrated catalogue in a hardcover slipcase highlights Ligon’s body of work over a seventeen-year period. Ligon's work engages with the black body politic and the history of representation, and looks at the self in relation to culture and history. Ligon, who lives and works in New York City, appropriates old visual or text-based materials to comment on issues of race, sexuality, identity, and language. The catalogue includes several insightful essays that cover a broad range of issues related to Ligon’s work, as well as a conversation between Stephen Andrews and Ligon about his body of work. \u003c\/span\u003e\u003cspan\u003eThis publication is a proud recipient of the 2006 OAAG Awards in the Design category. A touch of handling else clean, tight and crisp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":37532631433411,"sku":"","price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5234_a081a8f2-8fda-4289-ac4e-9d666f3f68ee.jpg?v=1605115128"},{"product_id":"brainard-freeman-notebooks-by-joe-brainard-and-herm-freeman-introductions-by-john-ashbery-phil-demeyes","title":"BRAINARD-FREEMAN NOTEBOOKS by Joe Brainard and Herm Freeman, introductions by John Ashbery \u0026 Phil Demeyes","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGegenschein, NY, 1975 First edition. Unpaginated, 8 1\/2\" X 11\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNear fine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished as Gegenschein Quarterly 1112. Illustrated with drawings from the notebooks of Joe Brainard and Herm Freeman. A handsome example of an uncommon item.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":37533187768515,"sku":"","price":95.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5446.jpg?v=1605120635"},{"product_id":"early-video-art-and-experimental-film-networks-edited-by-ecal-francois-bovier","title":"EARLY VIDEO ART AND EXPERIMENTAL FILM NETWORKS edited by ECAL \/ Francois Bovier","description":"\u003cp\u003eECAL, 2017 First edition, 268pp, 12 1\/2\" X 9 1\/2\" Softcover\u003c\/p\u003e\n\u003cp\u003eNew\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComprising an international history of video art and experimental cinema networks in the early 1970s, this volume examines various exhibitions, broadcasts, and distribution structures, including a case study on the Anthology Film Archives developed by Jonas Mekas. It is divided into two parts: the first explores the emergence and consolidation of video art networks at an international level; the second focuses more specifically on two exhibitions (‘New Forms in Film’ and ‘Une histoire du cinéma’) and the museification of experimental cinema. The book features rare and previously unpublished images and documents alongside commissioned essays.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":39648400376003,"sku":"","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5639.jpg?v=1619113191"},{"product_id":"scott-burton-collected-writings-on-art-and-performance-1965-1975-edited-by-david-j-getsy","title":"SCOTT BURTON - COLLECTED WRITINGS ON ART AND PERFORMANCE 1965-1975 edited by David J. Getsy","description":"\u003cp\u003eSoberscove Press, 2012 First edition, 258pp., 6\" X 9\" Softcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSCOTT BURTON: COLLECTED WRITINGS ON ART AND PERFORMANCE, 1965-1975 brings together for the first time Burton's essays and unpublished manuscripts from these years, tracing his work as an art critic as well as his early statements on performance. In his writing, Burton championed positions that others held as mutually exclusive and antagonistic. He advocated for reductive abstract art while defending figuration, and he argued for the urgency of time-based and ephemeral art practices in the same years that he curated exhibitions of realist painting. Distinct in these diverse texts are Burton's increasing concerns with art's appeal to affects, empathies, and subjective responses; the early formulation of his desire to make art public and demotic; and his critical grasp on the implications and exclusions of mainstream narratives of art. This collection offers rich new context for Burton's sculptural work and reveals him as an important voice in the rapidly changing art world of the 1960s and 1970s.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":39648777404611,"sku":"","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5582.jpg?v=1619117254"},{"product_id":"the-letters-and-diaries-of-oskar-schlemmer-edited-by-tut-schlemmer","title":"THE LETTERS AND DIARIES OF OSKAR SCHLEMMER edited by Tut Schlemmer","description":"\u003cp\u003eNorthwestern University Press, 1990 reprint, 425pp., 6\" X 9\" Softcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn a thirty-year period spanning the two World Wars, Schlemmer was a leader among those who brought new concepts and directions to artistic expression. This collection of his writings paints a vivid picture of the Bauhaus era and its artists.        \u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":39648859193539,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5599.jpg?v=1619118348"},{"product_id":"out-of-actions-between-performance-and-mthe-object-1949-1979-edited-by-paul-schimmel","title":"OUT OF ACTIONS: BETWEEN PERFORMANCE AND MTHE OBJECT 1949-1979 edited by Paul Schimmel","description":"\u003cp\u003eLos Angeles Museum of Contemporary Art \/ Thames and Hudson, 1998 First edition, 405pp., 8 3\/4\" X 12\" Softcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis book was published on the occasion of the identically entitled exhibition that was organized in Los Angeles this year (February - May1998) and was on display in Vienna for almost three months from June on. The body of the quasi-legendary photo-documents is accompanied by lengthy essays out of which the first one, \u003c\/span\u003e\u003cu\u003eLeap Into The Void\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003cspan\u003e, presents a chronological survey of the 30 years' production of the widely construed 'action art'. (What is more, there is an exhaustive chronology of actions on the last pages of the book.) 'Production' means the records of the actions as well as the objects that came \u003c\/span\u003e\u003cu\u003eout of the actions\u003c\/u\u003e\u003cspan\u003e (cf. the title!). Beside the production, the essay deals with the circumstances (especially the historical ones) that led to action as art form. According to this, the changes in art and in the conception of art that occured in the fifties can be traced back to the unprecedented horrors of the second world war - such as Hiroshima and the Holocaust. These devastating events threw light upon the fragility of creation and existence and, on the other hand, the primacy of the act. As a projection of all this in art was the questioning of the position of the art object (= a created object). More important than that has become the \u003c\/span\u003e\u003cu\u003eprocess\u003c\/u\u003e\u003cspan\u003e of creation. But not as an endevour to produce something, rather as an action which evolves before an audience and which incorporates time into art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":39648969130179,"sku":"","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5589.jpg?v=1619120023"},{"product_id":"gustav-metzger-writings-1953-2016-edited-by-mathieu-copeland","title":"GUSTAV METZGER WRITINGS 1953-2016 edited by Mathieu Copeland","description":"\u003cp\u003eJRP\/Editions, 2019 First edition, 696pp., 5 1\/4\" X 7 1\/2\" Softcover\u003c\/p\u003e\n\u003cp\u003eNew\u003c\/p\u003e\n\u003cp\u003eRenowned for his use of unstable materials and chemical reactions to create artworks that embody processes of change, destruction, and renewal, Metzger was also a prolific writer, theoretician, and satirist.\u003c\/p\u003e\n\u003cp\u003eBringing together more than 350 texts written between 1953 and 2016, this comprehensive volume establishes artist and activist Gustav Metzger (1926–2017) as a towering figure of the 20th century, a long-overdue recognition of the artist’s influential vision.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":39649071562947,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5619.jpg?v=1619121456"},{"product_id":"ronie-cutrone-shelf-life","title":"RONNIE CUTRONE: SHELF LIFE","description":"\u003cp\u003eMartin Lawrence Limited Editions, 1990 First edition, 40 pp., 10\" X 10\" Softcover\u003c\/p\u003e\n\u003cp\u003eAs new in publisher's shrinkwrap\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis publication was printed on the occasion of an exhibition at Martin Lawrence Modern, Soho 5 May 1990 - 31 May 1990.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":39664408461507,"sku":"","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_55052.jpg?v=1619372689"},{"product_id":"dash-snow-the-end-of-living-and-the-beginning-of-survival","title":"DASH SNOW: THE END OF LIVING AND THE BEGINNING OF SURVIVAL","description":"\u003cp\u003eWalther Konig, 2008 First edition, 242 pp., 9 1\/2\" X 143\" Hardcover in slipcase\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis first monograph on the young New York artist Dash Snow, whose complicated life and much-sought-after works have been chronicled in just about every major American art publication in recent years, contains stunning reproductions of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to modified bondage images; new sculptural works composed of items like books, doll heads, chain mail and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti. Published on the occasion of Snow’s one-person exhibition at Contemporary Fine Arts, Berlin\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":39664419504323,"sku":"","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5508.jpg?v=1619373296"},{"product_id":"color-moves-art-fashion-by-sonia-delaunay-edited-by-matilda-mcquaid-and-susan-brown","title":"COLOR MOVES: ART \u0026 FASHION BY SONIA DELAUNAY edited by Matilda McQuaid and Susan Brown","description":"\u003cp\u003eSmithsonian \/ Cooper Hewitt, 2011 First edition, 203pp., 8\" X 11\" Softcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePainter, textile and stage designer and co-conspirator (with her husband Robert Delaunay) of the Orphist movement, Sonia Delaunay is a heroine of early modernist art and design. Known primarily as an abstract painter and colorist, Delaunay applied her talents and theories to all areas of visual expression, including graphics, interiors, theater and film, fashion and textiles. A characteristic of Delaunay's work is a vivid sense of movement and rhythm through careful color combination. \u003c\/span\u003e\u003ci\u003eColor Moves: Art \u0026amp; Fashion by Sonia Delaunay\u003c\/i\u003e\u003cspan\u003e focuses not only on her art but also her avant-garde fashion designs for her Atelier Simultané in Paris during the 1920s, as well as textiles she designed for the Metz \u0026amp; Co department store in Amsterdam in the 1930s. The book features essays by Delaunay experts Matteo de Leeuw-de Monti, Matilda McQuaid and Petra Timmer, accompanied by more than 300 paintings, drawings, designs, textiles, garments and photographs.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":39689979232451,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5729.jpg?v=1619728423"},{"product_id":"louise-bourgeois-drawings-and-observations-by-louise-bourgeois-and-lawrence-rinder","title":"LOUISE BOURGEOIS: DRAWINGS AND OBSERVATIONS by Louise Bourgeois and Lawrence Rinder","description":"\u003cp\u003eBullfinch Press, 1995 First edition, 192pp., 6 1\/4\" X 9 1\/4\" Hardback\u003c\/p\u003e\n\u003cp\u003eVery good +\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThough known primarily for her sculpture, Louise Bourgeois has displayed a lifelong passion for drawing and considers it to be essential to her oeuvre. This exceptional book is the first to combine over fifty years of the artist's drawings with her own observations. Not merely preparatory studies for her sculptures, Bourgeois's drawings are fully realized, independent works of art that rank as some of her most powerful and emotive creations. In the text accompanying the illustrations, Bourgeois, a highly autobiographical artist, describes and explains the sources for each work - and in the process provides fascinating insights into her life and art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":39703726424259,"sku":"","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_5985.jpg?v=1619973065"},{"product_id":"myself-and-my-aims-writings-on-art-and-criticism-by-kurt-schwitters-edited-by-megan-r-luke","title":"MYSELF AND MY AIMS: WRITINGS ON ART AND CRITICISM by Kurt Schwitters, edited by Megan R. Luke","description":"\u003cp\u003eUniversity of Chicago Press, 2021 First edition, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e560 pp., \u003c\/span\u003e7 1\/4\" X 9 1\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eNew\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKurt Schwitters was a major protagonist in the histories of modern art and literature, whose response to the contradictions of modern life rivals that of Marcel Duchamp in its importance for artists working today. His celebrated Merz pictures—collaged and assembled from the scrap materials of popular culture and the debris of the studio, such as newspaper clippings, wood, cardboard, fabric, and paint—reflect a lifelong interest in collection, fragmentation, and abstraction, techniques he also applied to language and graphic design.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs the first anthology in English of the critical and theoretical writings of this influential artist, \u003c\/span\u003e\u003ci\u003eMyself and My Aims\u003c\/i\u003e\u003cspan\u003e makes the case for Schwitters as one of the most creative thinkers of his generation. Including material that has never before been published, this volume presents the full range of his prolific writing on the art and attitudes of his time, joining existing translations of his children’s stories, poetry, and fiction to give new readers unprecedented access to his literary imagination. With an accessible introduction by Megan R. Luke and elegant English translations by Timothy Grundy, this book will prove an exceptional resource for artists, scholars, and enthusiasts of his art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41419145838787,"sku":"","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2468.jpg?v=1642969349"},{"product_id":"aa-bronsons-house-of-shame-by-vincent-simon-et-al","title":"AA BRONSON'S HOUSE OF SHAME by Vincent Simon, et al.","description":"\u003cp\u003eEdition Patrick Frey, 2021 First Edition, 289 pp., 6 3\/4\" X 9 1\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eNew\u003c\/p\u003e\n\u003cp\u003eA nocturnal secret ritual performed by two naked men in a hotel room in the Netherlands; a woven tent where the artist dressed as a mage encounters visitors to share their traumas; buttplugs adorned with rooster feathers; a collection of queer zines; anal-sprayed tartan paintings; a zen garden of mugwort. A few of the singular artistic gestures AA Bronson committed in the last few years are united in this book. After his General Idea partners, Felix Partz and Jorge Zontal, passed away in 1994, AA Bronson had to learn how to keep on living by himself, inventing a personal identity without his former companions, creating a new community of work, friendship and love. These issues have been at the core of his art in the last 25 years. He has developed a work where collaboration with other artists, especially younger queer artists, and creation of a social bond are central.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAA Bronson’s House of Shame\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eaims to emphasize this social dimension in his work through an overview of a series of exhibitions he made between 2013 and 2018. These are shows that bring together a community of artists; shows where performances and rituals, often invisible, contribute to the creation of a shared experience; a unique blend of art, friendship, collaboration, spirituality and humour. The book is in two-parts. An initial monographic section, which includes an essay and an interview with the artist, brings together the works and the exhibitions. In the second, choral part, friends have been invited to bear witness and write a sort of ‘journal de bord,’ telling the tale of five years of the artist’s community life.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41419157110979,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2474.jpg?v=1642970194"},{"product_id":"julie-mehretu-drawings-edited-by-catherine-de-zegher","title":"JULIE MEHRETU DRAWINGS edited by Catherine de Zegher","description":"\u003cp\u003eRizzoli, 2006 First edition, 176 pp., 9 3\/4\" X 11 1\/4\" Hardover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA recent of the highly prestigious MacArthur Foundation “Genius Grant,” Julie Mehretu is an important American artist. With several major solo exhibitions in the last few years, including a traveling exhibition organized by the Detroit Institute of the Arts that debuts in fall 2007, Mehretu has captivated her audience with her ambitious large-scale wall installations that include a dizzying array of signs, symbols, and motifs worked into compositions that take as their point of departure architectural renderings and sketches. While known primarily as a painter, it is the artist’s drawings that drive her work; she produces scores of major drawings a year (while her output of paintings generally never exceeds ten in a given year.) Concerned with how individuals come to understand their place in the world–both metaphorically and physically–through their identification with different communities or their experience of different places, Mehretu has created a body of work that is as dynamic as the subjects with which she is engaged. In this book–the most comprehensive study of her exquisite drawings–the fullness of her ideas and explorations of form are considered.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41442861678787,"sku":"","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2611.jpg?v=1643394503"},{"product_id":"the-prints-of-louise-bourgeois-by-deborah-wye-and-carol-smith","title":"THE PRINTS OF LOUISE BOURGEOIS by Deborah Wye and Carol Smith","description":"\u003cp\u003eMuseum of Modern Art, 1994 First edition, 254 pp., 9 3\/4\" X 12 1\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eVery good\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe first exhibition to present the printed work of Louise Bourgeois, one of America’s most distinguished contemporary artists, \u003c\/span\u003e\u003cem\u003eThe Prints of Louise Bourgeois\u003c\/em\u003e\u003cspan\u003e reveals an aspect of the artist’s work which, until now, has been relatively unknown. Comprising approximately 140 works, the catalogue provides an overview of the artist’s remarkable achievements in the print medium and reveals the way in which she uses printmaking as a vehicle for her powerful imagery. \u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41442948415683,"sku":"","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2617.jpg?v=1643395389"},{"product_id":"lucas-samaras-by-kim-levin","title":"LUCAS SAMARAS by Kim Levin","description":"\u003cp\u003eAbrams, 1975 First edition, 246 pp., 10 3\/4\" X 11 3\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eVery good +\u003c\/p\u003e\n\u003cp\u003eThe first major monograph on Samaras, one of the most enigmatic, deceptive and confounding artists of our time.\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41445083545795,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2624.jpg?v=1643403407"},{"product_id":"catherine-opie-edited-by-stephanie-emerson-with-an-interview-by-colette-dartnall-and-an-essay-by-elizabeth-a-t-smith","title":"CATHERINE OPIE edited by Stephanie Emerson with an interview by Colette Dartnall and an essay by Elizabeth A.T. Smith","description":"\u003cp\u003eMuseum of Contemporary Art, Los Angeles, 1997 First edition, Unpaginated, 8\" X 11\" Softcover with french folds.\u003c\/p\u003e\n\u003cp\u003eVery god ++\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo bodies of work that explore the urban architecture and infrastructure of Los Angeles – the Freeways series, a group of 40 black-and-white images that have never been shown in their entirety in Los Angeles, and a group of five new photographs from a current series of views of strip mall buildings along the commercial streets of Los Angeles in neighborhoods undergoing demographic transition\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41519638380739,"sku":"","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2763.jpg?v=1644942979"},{"product_id":"dzama-pettibon-by-marcel-dzama-and-raymond-pettibon","title":"DZAMA \/ PETTIBON by Marcel Dzama and Raymond Pettibon","description":"\u003cp\u003eDavid Zwirner Books, 2015 Limited first edition of 200 copies, Unpaginated, 8 1\/2\" X 11\" Softcover\u003c\/p\u003e\n\u003cp\u003eVery good +\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA collection of collaborative works by Marcel Dzama and Raymond Pettibon published in an edition of 200 copies, this example being #130\/200.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41519661580483,"sku":"","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2769.jpg?v=1644943586"},{"product_id":"nevelsons-world-by-jean-lipman","title":"NEVELSON'S WORLD by Jean Lipman","description":"\u003cp\u003eHudson Hill Press \/ Whitney Museum of American Art, 1983 First edition, 12\" X 13\" Hardcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIntroduction by Hilton Kramer. An important and beautifully produced monograph on the Russian-born American artist Louise Nevelson (1900-1988) whose work has affinities with Constructivism, Surrealism, and Pop art. \u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41519868575939,"sku":"","price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2822.jpg?v=1644947942"},{"product_id":"michael-ray-charles-with-a-poem-by-spike-lee-essay-by-calkvin-reed-with-an-interview-by-tony-shafrazi","title":"MICHAEL RAY CHARLES with a poem by Spike Lee, essay by Calkvin Reed with an interview by Tony Shafrazi","description":"\u003cp\u003eTony Shafrazi Gallery, 1998 First edition, 88 pp., 9 3\/4\" X 12\" Hardcover\u003c\/p\u003e\n\u003cp\u003eNear fine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis book catalogs the work of 29-year-old artist Michael Ray Charles, whose imaginative use of racist stereotypes is a pointed effort to deconstruct history's visual language of degradation. His appropriation of such now-taboo cultural depictions as Aunt Jemima and Little Black Sambo serves as a cutting commentary on the ways in which these caricatures still permeate our social landscape. This book, a catalog from one of Charles's most recent exhibitions, offers a wide selection of the artist's work, and includes introductions by Spike Lee and Calvin Reid, as well as a biography of the artist.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41531528839363,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2891.jpg?v=1645210325"},{"product_id":"jane-freilicher-by-klaus-kertess","title":"JANE FREILICHER by Klaus Kertess","description":"\u003cp\u003eHarry N. Abrams, 2004 First edition, 175 pp., 12 1\/4\" X 12 1\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eVery good\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis book offers a comprehensive view of Jane Freilicher's distinguished career. Klaus Kertess has written a revealing and analytical discussion of her life and work, which is accompanied by an illustrated chronology; an introduction by the poet John Ashbery, an admirer of Freilicher's work and a friend for many years; and a note of appreciation by the contemporary painter Thomas Nozkowski.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41531841544387,"sku":"","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2912.jpg?v=1645214081"},{"product_id":"unexpressionism-art-beyond-the-contemporary-by-germano-celant","title":"UNEXPRESSIONISM: ART BEYOND THE CONTEMPORARY by Germano Celant","description":"\u003cp\u003eRizzoli, 1988 First edition, 450 pp., 5 1\/2\" X 8 3\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eVery good +\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublication on the art of the late 80s defined by Germano Celant as \"Unexpressionism.\" Essay by Celant. \"The contemporary is a fleeting and moribund presence. Its manifestations occur before our very eyes, and yet our eyes are unable to control or define them, just as words are incapable of describing them in time, at the same time.\" [Germano, you nailed it there.] Artists include Remo Salvadori, Sherrie Levine, Niek Kemps, Jeff Wall, Annette Lemieux, Günther Förg, Ettore Spalletti, John M. Armleder, Cindy Sherman, Rebecca Horn, Barbara Kruger, Gerhard Merz, Jenny Holzer, Gretchen Bender, Juan Muñoz, Allan McCollum, Ange Leccia, Haim Steinbach, Rosemarie Trockel, Matt Mullican, Marco Bagnoli, Reinhard Mucha, Peter Fischli \u0026amp; David Weiss, Tony Cragg, Bertrand Lavier, Joseph Kosuth, Robert Longo, Lothar Baumgarten, Thomas Schütte, and Richard Prince. Includes biographies, bibliographies, and texts by the artists. Originally published as \"Inespressionismo. L'arte oltre il contemporaneo,\" by Costa \u0026amp; Nolan, Genova, Italy, 1988.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41532280275139,"sku":"","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2917.jpg?v=1645218083"},{"product_id":"vito-acconci-the-house-and-furnishings-as-social-metaphor-essays-by-kate-linker-and-vito-acconci","title":"VITO ACCONCI: THE HOUSE AND FURNISHINGS AS SOCIAL METAPHOR essays by Kate Linker and Vito Acconci","description":"\u003cp\u003eUniversity of South Florida \/ Knight Gallery, 1986 First edition, 44 pp., 8 1\/2\" X 11\" Softcover\u003c\/p\u003e\n\u003cp\u003eNear Fine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExhibition catalogue published in conjunction with show held at USF Art Galleries, University of South Florida, Tampa, January 17 - February 15, 1986 and the Knight Gallery, Spirit Square Arts Center, Charlotte, May 7 - July 7, 1986. \u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41550101315779,"sku":"","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2803.jpg?v=1645627345"},{"product_id":"donald-judd-works-in-granite-cor-ten-plywood-and-enamel-on-aluminum-forward-by-marianne-stockebrand","title":"DONALD JUDD: WORKS IN GRANITE, COR-TEN,PLYWOOD AND ENAMEL ON ALUMINUM forward by Marianne  Stockebrand","description":"\u003cp\u003eThe Pace Gallery, 2011 First edition, 34 pp., 9 1\/2\" X 11\" Softcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis catalogue presents a sampling of the work from the last two decades of Judd's life,  covering a wide range of materials Judd had not previously explored. The thirteen pieces demonstrate the artist’s use of space, materials, and color, which revolve around his iconic box structure.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41550109409475,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_2807.jpg?v=1645628107"},{"product_id":"brion-gysin-dream-machine-by-laura-hoptman-et-al","title":"BRION GYSIN: DREAM MACHINE by Laura Hoptman, et al.","description":"\u003cp\u003eMerrell Publishers Limited \/ New Museum, 2010 First edition, 196 pp., 7 3\/4\" X 9 1\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDuring his lifetime Brion Gysin (1916–1986) inspired an array of artists, writers, poets and musicians, notably the Beat Generation. Since his death Gysin's own work has only increased in popularity, yet his radical approach to art defies categorization. Dream Machine is the first detailed study of Gysin's œuvre in both art-historical and contemporary contexts. A devotee of invention, Gysin created paintings, drawings, photo-collages, installations, poetry and sound experiments. He produced the cut-up collage novel The Third Mind (1965) with William Burroughs, and with Ian Sommerville developed the Dreamachine (1961), a kinetic sculpture designed to induce visions by playing flickering light on the closed eyes of the viewer. This exciting new book, featuring incisive texts, a photo essay, and appreciations by contemporary artists, captures the remarkable daring of an artistic visionary.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41553413669059,"sku":"","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3147.jpg?v=1645729990"},{"product_id":"rirkrit-tiravanija-secession-essays-by-phillippe-parreno-and-andreasspiegl-interview-by-matthias-herrmann","title":"RIRKRIT TIRAVANIJA: SECESSION essays by Phillippe Parreno and AndreasSpiegl, interview by Matthias Herrmann","description":"\u003cp\u003eBuchhandlung Walther König, 2002 First edition, 118 pp., 6 1\/2\" X 8 1\/4\" Softcover\u003c\/p\u003e\n\u003cp\u003eVery good\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRirkrit Tiravanija’s project for the Secession was based on Rudolf Schindler’s house in Los Angeles and the visions behind it, which are significant not only for architecture, but also for art. Tiravanija installed a reconstruction of the studio tract of the so-called Schindler House in the main room of the Secession and use this as a stage for various activities. Yet his interest focused less on a faithful architectural facsimile than on “animating” Rudolf Schindler’s world of ideas, his concept of inside and outside in relation to the conditions of private and public spaces. To this Tiravanija added his own ideas on relationships and communities, his characteristic conception of art as an investigation and implementation of “living well”. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41553490804931,"sku":"","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3139.jpg?v=1645732578"},{"product_id":"beatriz-milhazes-colagens-collages-by-frederic-paul","title":"BEATRIZ MILHAZES: COLAGENS \/ COLLAGES by Frédéric Paul","description":"\u003cp\u003eLivros Cobago, 2018 First edition, 223 pp., 8\" X 9 3\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is the first book on the collages of Brazilian artist Beatriz Milhazes (born 1960). During a residency in Brittany, in 2003, Milhazes offered chocolates and sweets to the art center team, asking them to return the wrapping papers afterward. From these the artist commenced a new project: her collages. Until this point, Milhazes had considered collage a secondary activity, a way of drafting her paintings. With time, her collage technique developed along its own path.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Collages have a kind of dialogue with an imaginary journal,” she writes. “Collected papers come from a variety of interests: sometimes it’s an aesthetic attraction, but other times they’re part of a routine, such as with chocolate wrapping paper or cuttings remaining from existing impressions. That’s why composition in collage creates a dialogue that’s exclusive to collages.” As Frédéric Paul, the book’s editor, observes, by using disposable ingredients in her collages, Milhazes emphasizes the acceleration of cycles of taste. “The frivolity of sweets and shopping express the frivolous versatility of trend indicators. They are also, surely, an expression of the assumed decorative frivolity. Milhazes’s work has the extraordinary complexity of simple things and faces us with a breathtaking plastic evidence.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41553513414851,"sku":"","price":95.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3135.jpg?v=1645733351"},{"product_id":"raymond-pettibon-plots-laid-thick","title":"RAYMOND PETTIBON: PLOTS LAID THICK","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMuseu d’Art Contemporani de Barcelona \/ Actar, 2002 First edition, 448 pp., 7\" X 8 1\/2\" Softcover (Flexibound)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe by-now widely known cult artist Raymond Pettibon first became well-known outside of the art scene for creating flyers, concert posters, and album covers for the independent record label SST, owned by his brother, Greg Ginn. But he soon distanced himself from the Californian hardcore punk scene and developed, sometimes in books, sometimes on single sheets, his \\\"Tragedie humaine,\\\" which has continued to chip away at America\\s understanding of itself, deconstructing popular myths in a disturbing connection of image and text, for many decades now. Pettibon, whose work also includes several feature films and animation works, is a precise artistic observer of the American pop cultural milieux. He finds inspiration in the comic style of Milton Caniff and John Kirby, in 1930s and 40s design, and in the flower-power dreams of later decades, which he gleefully transforms into bloody massacre scenes. His use of iconic superheroes and super-villains (Batman, Superman, Jesus, Stalin, Charles Manson) as well as several key recurring motifs (trains, penises, surfers, baseball players), in endless variation, creates a visual \\\"remix\\\" as it were. In these black-and-white drawings, which occasionally use red bullet wounds for contrast, and in later, color-intensive work, he discovers an enigmatic, cannibalistic world, whose grotesque distortion reveals hidden truths about our own, without completely exposing its secrets. Raymond Pettibon includes more than 500 drawings and documentation of a 50-foot long mural, alongside an interview with the artist and two essays.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41555630194883,"sku":"","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3056.jpg?v=1645809306"},{"product_id":"raymond-pettibon-forward-by-ralph-rugoff-essays-by-byron-coley-ed-halter-kitty-scott-and-robert-storr-interview-by-mike-kelley","title":"RAYMOND PETTIBON Forward by Ralph Rugoff, essays by Byron Coley, Ed Halter, Kitty Scott, and Robert Storr, interview by Mike Kelley","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRegen Projects and Skira Rizzoli, 2013 First edition, 368 pp., 11\" X 13\" Hardover in slipcase\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe most comprehensive monograph on the work of Raymond Pettibon to date, this publication includes hundreds of works spanning the last 30 years in chronological order. includes a \u003cmeta charset=\"utf-8\"\u003efour-panel collaboration between the artist and Jonathan Lethem, and excerpts from the Batman Script by Pettibon.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41556578631875,"sku":"","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3108.jpg?v=1645825500"},{"product_id":"sol-lewitt-folds-rips-1966-1980-by-dieter-schwartz","title":"SOL LEWITT: FOLDS \u0026 RIPS 1966-1980 by Dieter Schwartz","description":"\u003cp\u003eWalther König, 2020 First edition, 175 pp., 9 1\/2\" X 12 1\/2\" Softcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn 1966, Sol LeWitt (1928–2007) conceived a new type of work that he described as “drawings without drawing,” in which he replaced the act of drawing itself by using various ways of folding paper. In 1969, he started to regularly produce what he called \u003c\/span\u003e\u003ci\u003eFolds\u003c\/i\u003e\u003cspan\u003e, first as gifts to friends, then as works to be distributed by his dealers. In 1971 he added the \u003c\/span\u003e\u003ci\u003eRips\u003c\/i\u003e\u003cspan\u003e, drawings made of ripped paper.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLeWitt developed this extended approach to drawing from ripping papers of various sizes and colors to working with city maps and aerial photos of Florence, Manhattan and Chicago from which he removed various areas. This systematic approach, on which so much of LeWitt’s work is famously based, was also applied to the \u003c\/span\u003e\u003ci\u003eFolds\u003c\/i\u003e\u003cspan\u003e and the \u003c\/span\u003e\u003ci\u003eRips\u003c\/i\u003e\u003cspan\u003e, and so they tended to be created in series.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe book presents these works for the first time, along with a historical essay by Dieter Schwarz and full-color reproductions of the \u003c\/span\u003e\u003ci\u003eFolds\u003c\/i\u003e\u003cspan\u003e and the \u003c\/span\u003e\u003ci\u003eRips\u003c\/i\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41564039807171,"sku":"","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3237.jpg?v=1646085475"},{"product_id":"mike-kelley-sublevel-dim-recollection-illuminated-by-multicolored-swamp-grass-deodorized-central-mass-with-satellites","title":"MIKE KELLEY: SUBLEVEL : DIM RECOLLECTION ILLUMINATED BY MULTICOLORED SWAMP GRASS \/ DEODORIZED CENTRAL MASS WITH SATELLITES","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWalther König, 1999 First edition, 63 pp., 8 1\/2\" X 10 3\/4\" Softcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis is the first book to document two of Mike Kelley's central works, Sublevel (1998) and Deodorized Central Mass with Satellites (1991-1999), and includes deluxe large-format installation shots of these two pieces, as well as an interview and an essay by the artist.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41569290191043,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3295.jpg?v=1646174753"},{"product_id":"mike-kelley-arenas","title":"MIKE KELLEY: ARENAS, with essay by Cary Levine","description":"\u003cp\u003eSkarstedt Gallery, 2011 First edition, 44 pp., 8 3\/4 X 11 3\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished on the occasion of the exhibition \u003c\/span\u003e\u003cem\u003eMike Kelley: Arenas\u003c\/em\u003e\u003cspan\u003e, this catalogue features full plate images, installation views, and an essay by art historian Cary Levine titled “Pandora’s Blanket: Mike Kelley’s Arenas in Cultural Context.” \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis exhibition included seven of the eleven works from this series, all of which were originally shown at Metro Pictures Gallery in 1990. Prior to creating the Arenas, stuffed animals played an integral role in Kelley’s oeuvre. He sought to explore the commodification of gifted craft objects and the question of how one repays the “gift”. In an interview with John Miller from 1992, Kelley states, “Basically, gift giving is like indentured slavery or something. There’s no price, so you don’t know how much you owe. The commodity is emotion. What’s being bought and sold is emotion.” Kelley takes the emotion one step further with this series by stripping the nostalgia of these childhood toys and confronting the “real emotion” and making people look at these toys as objects in the present tense. They are man-made, and project the intent of the maker, not the child who owned the object.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41569353269443,"sku":"","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3299.jpg?v=1646175427"},{"product_id":"mike-kelley-exploded-fortress-of-solitude-text-by-jeffrey-sconce","title":"MIKE KELLEY: EXPLODED FORTRESS OF SOLITUDE  text by Jeffrey Sconce","description":"\u003cp\u003eGagosian \/ Rizzoli, 2012 First edition, 200 pp., 10 1\/4\" X 12 1\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003eA catalogue documenting two exhibits by American artist Mike Kelley, held at Gagosian Gallery in Los Angeles and London.\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41569491091651,"sku":"","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3304.jpg?v=1646176140"},{"product_id":"charles-arnoldi-foreword-by-frank-gehry-essay-by-dave-hickey","title":"CHARLES ARNOLDI Foreword by Frank Gehry, essay by Dave Hickey","description":"\u003cp\u003eRadius Books, 2008 First edition, 300 pp., 11\" X 12\" Hardcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis survey presents the work of Charles Arnoldi\u003c\/span\u003e\u003cspan\u003e, a nationally renowned painter and sculptor based in Los Angeles. Arnoldi has been described as an artist who “draws in space” to create his unique assemblage works of art. Throughout his long career he has been fascinated with shape and pattern as they apply to advanced formal concerns, from his 1970s paintings made entirely of natural forms, to his current geometric work. Internationally renowned architect Frank Gehry has said that, “the maturing Arnoldi has a secure color sense and the ability to work at large scale as well as to produce tiny, exquisite watercolors.” \u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41572358881475,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3319.jpg?v=1646232914"},{"product_id":"tanguy-calder-between-surrealism-and-abstraction","title":"TANGUY CALDER: BETWEEN SURREALISM AND ABSTRACTION by Susan Davidson","description":"\u003cp\u003eL \u0026amp;M Arts, 2010 First edition, 160 pp., 9 3\/4\" X 11 3\/4\" Hardover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn 1942, at the opening of her Art of This Century gallery, Peggy Guggenheim famously demonstrated her equability toward both Surrealist and abstract art by wearing one earring made by Surrealist painter Yves Tanguy and one by abstract sculptor and kinetic artist Alexander Calder. Yet the opposition implied by this act of truce-making perhaps overstates the antimonies between these two modernist masters. Tanguy and Calder shared many friends in Surrealist circles in Paris, and showed work in the same exhibitions throughout the middle of the century. In this beautiful volume, full of color reproductions and important ephemera relating to the artists' shared history, Susan Davidson, Senior Curator of collections and exhibitions at the Guggenheim Museum in New York, elucidates the overlap between these two canonical modernists.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41572377460931,"sku":"","price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3238.jpg?v=1646233524"},{"product_id":"dieter-roth-edited-by-niels-hafstein-interview-by-aoalsteinn-ingolfsson","title":"DIETER ROTH edited by Niels Hafstein, Interview by Aoalsteinn Ingólfsson","description":"\u003cp\u003eNylistasafnid \/ The Living Art Museum, 1994 First edition of 700 copies, 39 pp., 8 1\/2\" X 12\" Hardcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003eA catalogue published on the occasion of an exhibition of the works of Dieter Roth at the Living museum as part of the 1994 Reykjavik Arts festival. It is divided into four parts, Concrete works and poetry, kinetic and optical art, an environmental survey of the houses of Reykjavik and a series of \"recyclations\", works with a built in changeability.\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41572409311427,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3261.jpg?v=1646234708"},{"product_id":"the-drawings-of-richard-diebenkorn-text-by-john-elderfield","title":"THE DRAWINGS OF RICHARD DIEBENKORN text by John Elderfield","description":"\u003cp\u003eMuseum of Modern Art \/ Houston Fine Art Press, 1988 First edition, 203 pp., 9 1\/2\" X 10 1\/2\" Softcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis exhibition catalogue documents the first full-scale survey of Diebenkorn's drawings, It contains approximately 180 works on paper, including drawings in ink, pencil, and charcoal; watercolors; gouaches; and works in mixed mediums. Over a third of the works had never been seen exhibited before. \u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41572857675971,"sku":"","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3178.jpg?v=1646244452"},{"product_id":"stewart-williams-his-worlsd-and-his-art-text-by-william-corbett","title":"STEWART WILLIAMS:HIS WORLSD AND HIS ART text by William Corbett","description":"\u003cp\u003ePressed Wafer, 2017 First edition, 127 pp., 10\" X 11\" Hardcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArt. Literary Nonfiction. Stuart Williams had, in the words of his older brother Frank, \"a mystical connection with animals.\" He dreamed of becoming a farmer, but having learned to draw at the age of six he became an artist, in his teens showing his work in venues throughout his hometown, Peterborough, New Hampshire. He traveled to Switzerland, the home of his beloved Toggenburg goats, and to Kenya, Tanzania, and the Serengeti plains. He read avidly about animals, domestic and wild, and watched all the documentary films on animals he could find. \"Each of his drawings suggests,\" the Boston Globe's art critic Sebastian Smee has written, \"an enviably deep, somehow magical identification with animals.\" Williams is that rare artist who worked under the constraints, physical and mental, of an incurable genetic disorder-Prader-Willi syndrome. He had the remarkable luck of being born into the right family in the right place, and he honed that with an art that transcended the impossible odds of his birth.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41600928252099,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3501.jpg?v=1647021006"},{"product_id":"richard-tuttle-half-light-alphabet-unfold-essays-by-marc-donnadieu-frederic-paul-and-jean-charles-vergne","title":"RICHARD TUTTLE: HALF LIGHT ALPHABET \/ UNFOLD  Essays by Marc Donnadieu, Frédéric Paul, and Jean-Charles Vergne","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGalerie Ulrike Schmela \/ Galerie Lena Brüning, 2007 First edition of 750 copies, Unpaginated, 5\" X 10\" (approx.) Softcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFine\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"container_12\"\u003e\n\u003cdiv class=\"item object grid_12 first p-name\" itemtype=\"https:\/\/schema.org\/Book\" itemscope=\"\"\u003e\n\u003cdiv class=\"grid_7 omega\"\u003e\n\u003cdiv class=\"productDescriptionWrapper\"\u003e\n\u003cp class=\"object-synopsis short\"\u003eTwo exhibition catalogues: \"Half-Light Alphabet\" and \"Unfold\" held together with magnets. \"Half-Light Alphabet\" published in conjunction with shows held at Galerie Ulrike Schmela, Düsseldorf, and Galerie Lena Brüning, Berlin. Essay in German by Ludwig Seyfarth. Statement in English by Tuttle. \"Unfold\" published in conjunction with shows held in France at Frac Haute-Normandie, Frac Auvergne, and Domaine de Kerguéhennec. Essays in French by Marc Donnadieu, Frédéric Paul, and Jean-Charles Vergne. Statement in English by Tuttle.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clear\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container_12\"\u003e\n\u003cdiv class=\"footer grid_12\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41601052049603,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3582.jpg?v=1647027012"},{"product_id":"jean-michel-basquiat-text-by-enrico-navarra","title":"JEAN MICHEL BASQUIAT text by Enrico Navarra","description":"\u003cp\u003eGalerie Enrico Navarra, 1997 First edition, 128 pp., 9 3\/4\" X 11 1\/4\" Softcover\u003c\/p\u003e\n\u003cp\u003eVery good\u003c\/p\u003e\n\u003cp\u003eA catalogue published on the occasion of the 1997 exhibition, \"Jean Michel Basquiat\" at the Galerie Enrico Navarra, Tokyo. Text in Japanese. Navarra was perhaps the most prolific Basquiat collector during his lifetime.\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41604328554691,"sku":"","price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3652.jpg?v=1647202781"},{"product_id":"basquiat-pollo-frito-street-to-studio-text-by-dieter-buchhart-and-anna-karina-hofbauer","title":"BASQUIAT: POLLO FRITO - STREET TO STUDIO text by Dieter Buchhart and Anna Karina Hofbauer","description":"\u003cp\u003eHIrmer, 2019 First edition, 156 pp., 12 1\/2\" X 13\" Hardcover in slipcase.\u003c\/p\u003e\n\u003cp\u003eNew in publishers shrinkwrap.\u003c\/p\u003e\n\u003cp\u003e\u003cspan dir=\"ltr\"\u003e\u003cspan\u003eThis publication revolves around the important key work Untitled (Pollo Frito).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe book describes the fruitful period of his collaboration with the legendary Annina Nosei, an art historian and gallery owner whose establishment was located at 101 Prince Street in the heart of Soho in Manhattan. \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"ltr\"\u003e\u003cspan\u003eEssays in French, English, and Spanish.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41604399694019,"sku":"","price":120.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3645.jpg?v=1647205281"},{"product_id":"tom-sachs-by-germano-celant","title":"TOM SACHS by Germano Celant","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFondazione Prada, 2006 First edition, 196 pp., \u003cmeta charset=\"utf-8\"\u003e12 1\/4\" x 9 3\/4\" Hardcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eVery good\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis comprehensive survey of the work of the young and influential American sculptor Tom Sachs is the first of its kind, and long overdue. Sachs appropriates elements from American popular culture, including fast food, skateboarding and hip-hop music, and mixes them with overt references to luxury fashion labels, as well as icons of Modernist art and design. Even as Sachs's work maintains an overt antagonism toward consumerism and globalization, it reveals an inherent idealism, championing transparency of production and homespun craftsmanship. Produced on the occasion of the artist's solo exhibition at the Fondazione Prada, Milan, this book illustrates the prolific and innovative nature of Sachs's career, highlighting his fascination with weapons, conformity, cultural imperialism and craft.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41608805155011,"sku":"","price":195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3671.jpg?v=1647299369"},{"product_id":"gerhard-richter-florence-epilogue-by-dietmar-elger","title":"GERHARD RICHTER: FLORENCE epilogue by Dietmar Elger","description":"\u003cp\u003eHatje Cantz, 2001 First edition, Unpaginated, 8 1\/2\" X 8 3\/4\" Hardcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFor nearly 40 years, in a body of work that often looks as though it was made by several different artists, Gerhard Richter has been examining the ways we perceive reality and the effects of different forms of representation on the viewer. \"For me,\" he has said, \"there is no difference between a landscape and an abstract painting. In my view, the term 'realism' makes no sense.\" Richter began painting on photographs in 1989 as a way of conflating sets of opposing values: the tactile paint mark that is actually abstract and the illusionistic depiction of real space created by the action of light on film. The slender volume \u003c\/span\u003e\u003ci\u003eGerhard Richter: Florence\u003c\/i\u003e\u003cspan\u003e contains a series of small square snapshots, mostly of the view outside Richter's Cologne studio and street scenes in Florence, which he altered by applying oil paint with a palette knife. In some images, he reinforces the intense color of the photograph (vivid swipes of red and yellow on autumn foliage, for example). In others, the paint nearly obliterates the scene (a milky sheet of paint nearly wiping out a bridge reflected in the Arno River). The artist, who originally conceived the project for a set of CDs (thus the square format), painstakingly subverts normal expectations. The numerical dates that serve as titles are unrelated to the dates when the photographs were taken or painted. Even the size of the reproductions is ever-so-slightly larger (rather than smaller) than the originals. But the visual pleasure of the images doesn't rely on any theoretical underpinning. The rhythmic blotting out of chunks of a view with bands of high-key color creates an abstract beauty all the more jewel-like for being rendered in miniature.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41611053793475,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3625.jpg?v=1647351278"},{"product_id":"suits-london-tokyo-osaka-new-york-2007-2008-facts-fiction-1929-2008-by-katja-stuke","title":"SUITS: LONDON, TOKYO, OSAKA, NEW YORK 2007-2008 FACTS \u0026 FICTION 1929-2008 by Katja Stuke","description":"\u003cp\u003eBohm Kobayashi Publishers, 2008 First edition of 150 copies, Unpaginated, 8 1\/2\" X 11\" Softcover\u003c\/p\u003e\n\u003cp\u003eFine\u003c\/p\u003e\n\u003cp id=\"productShortdesc\" class=\"details-shortdesc\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConceptual artist\/photographer Katja Stuk's limited edition artist's book\u003c\/span\u003e focuses on one single theme, suits and how they are worn. Limited to 150 copies, This being copy # 117.\u003c\/p\u003e\n\u003cp class=\"details-shortdesc\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis project takes an inventive form for a book with 11 x 14 size images folded in half and inserted into one another. The whole assemblage is held together by a vertically running rubber band. This unique binding technique makes it possible to view only half of any image at a time, creating interesting and seemingly random connections between each page. By only presenting half of each photo you may experience seeing only a shoulder of one man on one page while a blown up video still shows an entire figure talking on a cellphone on the facing. Although Katja has assembled the book with thought, it is possible to slip the rubber band off and jumble the pages to create hundreds of possible pairings.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41611427643587,"sku":"","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3622.jpg?v=1647358714"},{"product_id":"cyclops-1-including-work-by-william-burroughs-malcom-mcneill-raymond-lowry-et-al","title":"CYCLOPS # 1 including work by William Burroughs, Malcom McNeill, Raymond Lowry, et al.","description":"\u003cp\u003eInnocence \u0026amp; Experience Publishers, 1970 First edition, 20 pp., 9 1\/2\" X 12\" folded newsprint\u003c\/p\u003e\n\u003cp\u003eVery good\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe anthologized adult British comix magazine in which Malcolm Mc Neill’s first collaboration with William S. Burroughs, “The Unspeakable Mr. Hart,” appeared.\u003c\/span\u003e\u003c\/p\u003e","brand":"Familiar Trees","offers":[{"title":"Default Title","offer_id":41611471552707,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0308\/9956\/8776\/products\/IMG_3636.jpg?v=1647360254"}],"url":"https:\/\/familiartrees.com\/collections\/art.oembed?page=11","provider":"Familiar Trees","version":"1.0","type":"link"}